The smiths kayden
The Smiths starring Kayden Kross and Riley Steelegay
Romantic sex in my fathers armchair
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Kimberly Nicole Rathkamp born September 15,  is an American pornographic actress , who goes by the stage name Kayden Kross. Kross was born and raised in Sacramento, California. She grew up in the foothills between Sacramento and Placerville.
Sign in. Seen here for the first time is a less than usual guarded, open but cautious Steven Morrissey revealing much unseen, unedited and rare footage along with a very positive and sparky Johnny Marr interview from their heyday. The precise origin of the bands name is unknown, although they stated that it was a reaction against names they considered fancy and pompous. Somewhat contrarily, in a interview Morrissey stated "I decided to call ourselves The Smiths because it was the most ordinary name, and I think it's time that the ordinary folk of the world showed their faces. Robby's script is deficient in conveying the simplest elements here, as when pretty DP contract girl Riley Steele drops over to stay at the star couple's house, and other than her stray remark "who made you my mother? Later on, we find out that she is Kayden's sister and a famous porn star, rather crucial elements somehow lost in Robby's rewrite. Sex scenes are mechanical, and the film is guilty of something that remains my pet peeve about porn: several nude beauties are shown parading around Manuel's office as the horny dude wife Kayden is not having sex with him, saving her energy for the porn shoots does a Walter Mitty style day-dreaming of co-workers in the altogether.
Extras: There was a minute Behind the Scenes feature by Jamal Johnson click to watch it that was decent enough about introducing the cast and crew but fairly little of the humor that made the companies previous endeavors in the field gems to watch once upon a time. There were also the usual set of trailers, a slide show, a photogallery, and nothing else for those that care. The composition of the camera angles was generally flattering to the ladies, not as fluid as some of his earlier efforts but sporting enhanced resolution likely due to the use of the Red One camera system he now relies upon so heavily. The video bitrate varied significantly but when I spot checked it, the numbers typically kept around the 6. Of note to me was how the colors seemed muted, even on the high definition version of the movie, some soft focus moments and places where the camera seemed at a loss to capture what was most important was also evident. I also found the editing by Joey Pulgadas, a man that has really managed to polish up some weak efforts in the past using his skillful talents, to handle this one fairly well. The audio was presented in a post-production added 5.